I like to buy a whole Angus fillet and cook it first before cutting it into fillet steaks, this way you can keep the juices and really preserve a lot of the flavour. It also presents a perfect opportunity to do what any male wine millennial, or any male for that matter – likes most… marinade. Like making hot-sauce, there is perhaps no time more satisfying to a man than when given the chances to marinade something. There’s a certain feeling of alchemy in preparing the meat that really doesn’t come with other pre-preparation chores like peeling potatoes or rolling pastry flat.

The ingredients for getting a steak ready are quite simple: rock salt, English mustard, lemons, pepper, red wine, olive oil, chopped garlic and mixed spices. Adding lemon juice helps seal the steak and within minutes the pinkish colour will disappear and the fillet will start to gain a more cooked sort of colour. At this point I roll the fillet in a bed of rock-salt before smothering it in a healthy dose of English mustard mixed with spice and crushed garlic. Once done, leave it to soak in a pool of red wine on top of a bed of diced onions allowing the blood and fermented juice to comingle.

At this point it’s time to pour yourself a glass of wine and get down to preparing a simple salad (feta, tomato, cucumber, rocket, red lettuce and sesame seeds with a balsamic glaze always goes down well) together with some baked vegetables (onions, courgettes, egg-plant and butternut are perfect.)

After about 3 hours of marinating or so – once the guests arrive; you can chat and get the barbecue going for about half an hour. The veg will take about an hour to cook and the meat will take 15 minutes (if you like it burnt and bloody); 20 minutes if you want it medium rare… so stick the veg in in a pocket of tin-foil – and half an hour later gather people around as it’s always a bit of excitement to watch the meat go on.

Generally if the steak is sealed – leaving it on one side should do fine; and at a medium temperature it should cook through. At this stage you can heat the marinade up, add a lamb stock cube and a cup of water along with some diced mushrooms and pepper and you have a great red wine and mushroom gravy.

The perfect wine for steak on a summer’s day is a Shiraz Viognier – especially if you’ve used mustard, and garlic as they really complement and bring out the spice flavour. Some people would argue cab – but I think that that would more be for an evening event if there’s a chill in the air.

For our Angus Fillet I chose the Graham Beck Joshua 2003 – which turned out to be a perfect accompaniment. It may not have been March 14th, but any chance for steak and red wine is something to smile about.

Cheerz!

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Step in Sergio Esposito‘s Passion on the Vine: A Memoir of Food, Wine and Family in the Heart of Italy – which from the first page pulls one directly into the rental car of he and his brother Sal at the end of an epic 60 winery tour of Italy. Sergio, an Italian born New York wine retailer has embarked on a wine-buying tour of Italy with his brother who got him into the business in the fist place – and within the first pages of reading you are situated within a remarkable life, which I was utterly compelled by because suddenly the retailer I had been up against was given a face. I completely sympathise with the opening sentiments of having a job that on the surface sounds glamorous but in reality can be very gritty – however one quickly learns that Esposito has been doing this for 3 months every year for nearly 2 decades. From my part I was around the East Coast, Mid West and West Coast pushing wine to restaurants retailers and country-clubs tasting wine from 8:30 in the morning to 1am sometimes 6 days a week – and within two years I have more stories than I care to remember. For Sergio and his brother they’re diligently working through 10 wineries a day tasting through varietals and enduring long-drives in hot weather – often what sounds glamorous, and would seem like the setting for a series of Sideways style misadventures through a foreign country ends up being a lot more like work than anyone else could ever imagine. One has to take their hat off to such dedication even though amidst the work it is interspersed with tales of seductive winemakers daughters, raucous Italian weddings and personalities you’re unlikely to forget.

Passion on the Vine is an insight into a life less ordinary from one of the world’s leading wine consultants who can be found on the pages of the Wall Street Journal to the Times to the Wine Spectator itself. Esposito brings the innate raconteur nature of Italian New Yorkers, combined with a mellifluous writing style into a memoir that goes to the heart of what it means to be an epicurean. He illustrates so perfectly how passion, love and romance can go a long way to carrying someone throughout life. Ultimately this is a romance between one man and an entire region which will make you fall in love with Italy; and paints the picture of a dying breed – wine-men who actually love wine, men who excel in their jobs for more than money and people who add value not only to their families but pay their dues to those who have helped them over the years. Esposito’s is a poignant picture of optimism and love in a marketplace that is primarily having the life squeezed out of it by soulless critters.

Esposito re-introduced me to a feeling I nearly lost, and in his words I remembered a part of myself. When one is up against Little Penguin – it’s difficult to find the actual stories and vines and passion in a fuzzy cartoon character. There is no doubt that much of Western Philosophy was built on the back of wine-fueled sentiments; and from the foundation of Western culture there is no doubt that Italians built New York and have made the culture (together with the Irish) what it is today. Esposito, in a tale filled with adventure, comedy and energy has staked his claim to not only being a philosopher, a wine lover and a great New Yorker – but being an advocate and an inspiration to future wine millenials, showing that there’s no real substitute for loving what you do.

Cheerz.

Special thanks to Dianna Tingg from Italian Wine Merchants who has reached out to so many of us on the wine blogosphere, and has shared this wonderful book with us. It is a priveledge to have been given the opportunity to review such a great book.

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Red Wine is a perfect libation for festivals – primarily because it doesn’t need to be kept cold; it doesn’t lose its fizz and if you’re drinking wine locally produced its dirt cheap and super-good. Within minutes of popping the cork however I’d managed to spill the Rioja on my new pants and was questioning the merits of wine in a situation where a shower is hard to find… when suddenly, with a splash of from my water bottle – the wine was gone. Brilliant! Wine proof pants – what more could a young millennial wine-lover at a music festival wish for? I reckon marketing the pants specifically as wine-proof and selling it at Bonnaroo could be a good gig.

Festivals have become huge in the UK – and I guess the States is now picking up. Winemakers have a huge opportunity to sponsor music festivals – because the combination of music, nature, art and alcohol are what festivals are all about. Festivals have re-invented themselves since the days of Woodstock and are a perfect platform for not only entertaining people, but many organisations use them to spread awareness and raise money.

The Green Man Festival coming up next week is one of the most prominent indie festivals – where, much like the Big Chill – and both less commercially than Glastonbury, it promotes organic food, green living, sustainability etc. There’s a huge oppotunity in this concept and I’d really like to see some of the Oregon wineries putting on some music festivals and promoting their wines together with bands from Washington State and around. Many vineyards have acres of land and there’s plenty scope to host festivals on the vineyard grounds themselves. Once millennials cotton onto the benefits of wine and the contribution of viticulturalists to the environment and to local communities – it’ll certainly be the final push needed.

Now that I’ve found a pair of wine-proof pants; and have finally sprung for a decent festival tent whilst having fallen in love with festivals on the first night of Benicassim in a monent of sitting with my wife and two close friends, Will and Anin, drinking Rioja as a pre-game at the campsite with Sigur Ros about to play… I think it’ll be hard to go back to taking normal holidays.

Hopefully next year the Grapethinking team can bring some of the fabulous Tastevine collection to Bonnaroo and some of the other festivals in the US, and one day to the UK – we’ll provide a tent, picnic blankets and a selection of some of the best and most affordable wines from around the world… we’ll leave the music to the musicians though. Don’t forget to bring wine-proof pants…

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First of all, labels mean absolutely nothing, so when you go to buy wine don’t even look at the front label ignore it, there is more useful information on the back like a good importer. In this era of opulence and visually stimulated purchasing, Louis Vutton and Cadillac, take a more refined and dare I say classier approach. I am reminded of the movie Tommy Boy with the late great Chris Farley. Tommy is selling Callahan Break Pads; one of his retailers says there isn’t a guarantee on Callahan’s box. Tommy says you can put a guarantee on shit and its still shit, same thing with wine – creative picture means the winery spent all the money on a design and not the juice. Like a guarantee vs. the actual product. There can and often will be a cute picture on the bottle but the juice, more times than not, is still absolute Swill (a colloquialism used to describe wine not worth drinking).

Best quality indicator – a good importer. While there still are names in wine worth buying anytime you see them there are also many wineries out there that have sold the names to bigger corporations to take advantage of consumer’s name recognition. Cakebread is a great example of a wine that once was a great wine for a good buy and now its just expensive and not much to talk about, one can find better for half the price. Importers on the other hand like Robert Shadderdon, Kermit Lynch, John David Hendrick and Neil Rosenthal, use discretion when picking wines to promote and have built up a strong reputation based on their names.

In closing, to all those wine creators, make sure your brand is innovative, but when it comes down to it, build a rep for finding kick ass juice… easy enough

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